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| Originally posted on Goodreads. Lord Tobias and his wife Megan have just returned from their honeymoon to the country manor at Treweham, starting their life together among the hijinks of this small town. I hadn’t realized when I picked up this book that it was the second in a series, and the author throws the characters at you pretty quickly. At one point, I was introduced to five different characters within one page (one of which I never really heard much else about), and it was a bit overwhelming to keep up with. As the story goes on, I learned to distinguish the characters, but that was still pretty difficult to do. The characters all had pretty similar personalities and demeanors, and nothing about any of them really stood out as being interesting. All of the women were hopelessly devoted to the men in their lives, and often seemed as if their opinions and desires weren’t taken as seriously as the men. For example, when Finula, daughter of the local pub owner, goes on a first date with the brooding film director Marcus, she proceeds to get drunk and make a fool of herself and throw herself at him, which seemed completely out of character for her the rest of the book. She is a successful woman and is being mocked on this date, and it was pretty cringy. I also take some issue with the “romance” aspect of it, as it was usually anything but. Sex was usually on the terms of the heterosexual men. One even asked his girlfriend if he could get a “blowy” which she wordlessly obliged. It was never empowering to the women, and made me more uncomfortable than anything else. I found Sebastian, the gay brother of Tobias, to be the most likable and realistic. Though Sebastian stumbled upon a possible love interest himself, the furthest he ever gets is a hug. It seemed to defeat the point of having a gay character. Lastly, I really think the author did a disservice with her writing style. The story is written in third-person style narrative, but the focus character varied from paragraph to paragraph. When a couple was on a date, we would hear the thoughts of the male character, and the following paragraph would be the response thoughts of the female character. There was no “will they, won’t they” energy, because the reader always knew exactly what every single person was thinking at every moment. |








